Ten years ago a man wrote a letter. He mailed it to a woman at a bank. Then he dropped his kids off at school, whispered in their ears that he loved them, drove off on his own, and parked his car by the water. He climbed onto the railing of a bridge and jumped. The following week, a teenage girl was standing on the same bridge railing.
Obviously it doesn’t really make any difference to you who the girl was. She was just one person out of several billion, and most people never become individuals to us. They’re just people. We’re just strangers passing each other, your anxieties briefly brushing against mine as the fibers of our coats touch momentarily on a crowded sidewalk somewhere. We never really know what we do to each other, with each other, for each other. But the teenage girl on the bridge was called Nadia. It was the week after the man had jumped to his death from the railing where she was standing. She knew next to nothing about who he was, but she went to the same school as his children, and everyone was talking about it. That was how she got the idea. No one can really explain, either before or after, what makes a teenager stop wanting to be alive. It just hurts so much at times, being human. Not understanding yourself, not liking the body you’re stuck in. Seeing your eyes in the mirror and wondering whose they are, always with the same question: “What’s wrong with me? Why do I feel like this?”
She isn’t traumatized, she isn’t weighed down by any obvious grief. She’s just sad, all the time. An evil little creature that wouldn’t have shown up on any X-rays was living in her chest, rushing through her blood and filling her head with whispers, saying she wasn’t good enough, that she was weak and ugly and would never be anything but broken. You can get it into your head to do some unbelievably stupid things when you run out of tears, when you can’t silence the voices no one else can hear, when you’ve never been in a room where you felt normal. In the end you get exhausted from always tensing the skin around your ribs, never letting your shoulders sink, brushing along walls all your life with white knuckles, always afraid that someone will notice you, because no one’s supposed to do that.
All Nadia knew was that she had never felt like someone who had anything in common with anyone else. She had always been entirely alone in every emotion. She sat in a classroom full of her contemporaries, looking like everything was the same as usual, but inside she was standing in a forest screaming until her heart burst. The trees grew until one day the sunlight could no longer break through the foliage, and the darkness in there became impenetrable.
So she stood on a bridge looking over the railing to the water far below, and knew it would be like hitting concrete when she landed, she wouldn’t drown, just die on impact. That thought consoled her, because ever since she was very little she’d been scared of drowning. Not death itself, but the moments before it. The panic and powerlessness. A thoughtless adult had told her that a person who’s drowning doesn’t look like they’re drowning. “When you’re drowning you can’t call for help, you can’t wave your arms, you just sink. Your family can be standing on the beach waving cheerfully to you, completely unaware that you’re dying.”
Fredrik Backman: Anxious People (Ch27)
People want to be good. Deep down. Kind. The problem of course is that it isn’t always possible to be kind to idiots, because they’re idiots. That’s become a lifelong project for Nadia to grapple with, as it is for all of us.
Fredrik Backman: Anxious People (Ch27)