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12 Books by Kahlil Gibran
Requirements: ePUB / Mobi reader, 2.5 MB.
Overview: Gibran's works were especially influential in the American popular culture in the 1960s. In 1904 Gibran had his first art exhibition in Boston. From 1908 to 1910 he studied art in Paris with August Rodin. In 1912 he settled in New York, where he devoted himself to writing and painting. Gibran's early works were written in Arabic, and from 1918 he published mostly in English. In 1920 he founded a society for Arab writers, Mahgar (al-Mahgar). Among its members were Mikha'il Na'ima (1889-1988), Iliya Abu Madi (1889-1957), Nasib Arida (1887-1946), Nadra Haddad (1881-1950), and Ilyas Abu Sabaka (1903-47). Gibran died in New York on April 10, 1931. Among his best-known works is THE PROPHET, a book of 26 poetic essays, which has been translated into over 20 languages. The Prophet, who has lived in a foreign city 12 years, is about to board a ship that will take him home. He is stopped by a group of people, whom he teaches the mysteries of life.
Genre: Classics > Poetry
The Broken Wings
This is the exquisitely tender story of love that beats desperately against the taboos of Oriental tradition. With great sensitivity, Gibran describes his passion as a youth for Selma Karamy, the girl of Beirut who first unfolded to him the secrets of love. But it is a love that is doomed by a social convention which forces Selma into marriage with another man. Portraying the happiness and infinite sorrow of his relationship with Selma, Gibran at the same time probes the spiritual meaning of human existence with profound compassion.
The Earth Gods
"The Earth Gods, the last book to be published while Gibran was still in this world, came into the poet's hands two weeks before he was to lay aside all earthly volumes. . . . He had a peculiar feeling of tenderness for this book, unlike what he felt for any of the others. 'Because,' he said, 'it was written out of the poet's hell—a process of childbirth and child-bearing.' . . . "It is, in my opinion, one of the greatest poems in the language. The Earth Gods is, perhaps, a book for the mystic, a poet's book for poets, for the initiate and the dreamer of vast dreams. Yet I have known those who pride themselves on being highly practical and feet-on-the-ground, who disown any bent toward the mystical and the occult, to pronounce it a book of wonder and power. And as a child of seven to whom I read portions of the poem on request, says unvaryingly, 'Read it again!' This, perhaps, for the music and the almost unearthly beauty of rhythm."—Barbara Young, in This Man From Lebanon: A Study of Kahlil Gibran
The Forerunner
"My mate shall come riding on the waves. His thundering roar shall fill the earth with fear, and the flames of his nostrils shall set the sky afire. At the eclipse of the moon we shall be wedded, and at the eclipse of the sun I shall give birth to a Saint George, who shall slay me."
The Garden of the Prophet
The Garden of The Prophet, which Gibran intended as a companion to his masterpiece The Prophet, is a lyrical celebration of the mystical beauty of Nature.
Jesus the Son of Man
Here Jesus is portrayed through the words of 77 contemporaries who knew him - enemies and friends: Syrians, Romans, Jews, priests, and poets. This edition restores the original format with 2 paintings and 12 drawings.
Lazarus and His Beloved
A One Act Play
The Madman
You ask me how I became a madman. It happened thus: One day, long before many gods were born, I woke from a deep sleep and found all my masks were stolen, -the seven masks I have fashioned and worn in seven lives,-I ran mask less through the crowded streets shouting, "Thieves, thieves, the cursed thieves." Men and women laughed at me and some ran to their houses in fear of me. And when I reached the market place, a youth standing on a house-top cried, "He is a madman." I looked up to behold him; the sun kissed my own naked face for the first time. For the first time the sun kissed my own naked face and my soul was inflamed with love for the sun, and I wanted my masks no more.
The Prophet
The Prophet is a collection of poetic essays that are philosophical, spiritual, and, above all, inspirational. Gibran’s musings are divided into twenty-eight chapters covering such sprawling topics as love, marriage, children, giving, eating and drinking, work, joy and sorrow, housing, clothes, buying and selling, crime and punishment, laws, freedom, reason and passion, pain, self-knowledge, teaching, friendship, talking, time, good and evil, prayer, pleasure, beauty, religion, and death.
Each essay reveals deep insights into the impulses of the human heart and mind. The Chicago Post said of The Prophet: “Cadenced and vibrant with feeling, the words of Kahlil Gibran bring to one’s ears the majestic rhythm of Ecclesiastes . . . If there is a man or woman who can read this book without a quiet acceptance of a great man’s philosophy and a singing in the heart as of music born within, that man or woman is indeed dead to life and truth.”
With twelve full-page drawings by Gibran, this beautiful work makes an incredible gift for anyone seeking enlightenment and inspiration.
Sand and Foam
A book of aphorisms, poems, and parables by the author of "The Prophet" - a philosopher at his window commenting on the scene passing below.
Spirits Rebellious
Miserable is the man who loves a woman and takes her for a wife, pouring at her feet the sweat of his skin and the blood of his body and the life of his heart, and placing in her hands the fruit of his toil and the revenue of hi s diligence; for when he slowly wakes up, he finds that the heart, which he endeavoured to buy, is given freely and in sincerity to another man for the enjoyment of its hidden secrets and deepest love. Miserable is the woman who arises from the inattentiveness and restlessness of youth and finds herself in the home of a man showering her with his glittering gold and precious gifts and according her all the honours and grace of lavish entertainment but unable to satisfy her soul with the heavenly wine which God pours from the eyes of a man into the heart of a woman.
I knew Rashid Bey Namaan since I was a youngster; he was a Lebanese, born and reared in the City of Beyrouth. Being a member of an old and rich family which preserved the tradition and glory of his ancestry, Rashid was fond of citing incidents that dealt mainly with the nobility of his forefathers. In his routine life he followed their beliefs and customs which, at that time, prevailed in the Middle East.
Rashid Bey Namaan was generous and good-hearted, but like many of the Syrians, looked only at the superficial things instead of reality. He never hearkened to the dictates of his heart, but busied himself in obeying the voices of his environment. H e amused himself with shimmering objects that blinded his eyes and heart to life’s secrets; his soul was diverted away from an understanding of the law of nature, and to a temporary self-gratification. He was one of those men who hastened to confess their love or disgust to the people, then regretted their impulsiveness when it was too late for recall. And then shame and ridicule befell them, instead of pardon or sanction.
A Tear and a Smile
Contains 56 parables, stories, and poems in Gibran's wholly inimitable manner. Illustrated with 4 of his own paintings and drawings, it is the most important edition to the canon of this great writer.
The Wanderer
I met him at the crossroads, a man with but a cloak and a staff, and a veil of pain upon his face. And we greeted one another, and I said to him, “Come to my house and be my guest.” And he came. My wife and my children met us at the threshold, and he smiled at them, and they loved his coming. Then we all sat together at the board and we were happy with the man for there was a silence and a mystery in him. And after supper we gathered to the fire and I asked him about his wanderings. He told us many a tale that night and also the next day, but what I now record was born out of the bitterness of his days though he himself was kindly, and these tales are of the dust and patience of his road. And when he left us after three days we did not feel that a guest had departed but rather that one of us was still out in the garden and had not yet come in.
Download Instructions:
https://drop.download/4vxx3ikyg6p5
(Closed Filehost) https://hulkload.com/mycp0gxzzdrr
Requirements: ePUB / Mobi reader, 2.5 MB.
Overview: Gibran's works were especially influential in the American popular culture in the 1960s. In 1904 Gibran had his first art exhibition in Boston. From 1908 to 1910 he studied art in Paris with August Rodin. In 1912 he settled in New York, where he devoted himself to writing and painting. Gibran's early works were written in Arabic, and from 1918 he published mostly in English. In 1920 he founded a society for Arab writers, Mahgar (al-Mahgar). Among its members were Mikha'il Na'ima (1889-1988), Iliya Abu Madi (1889-1957), Nasib Arida (1887-1946), Nadra Haddad (1881-1950), and Ilyas Abu Sabaka (1903-47). Gibran died in New York on April 10, 1931. Among his best-known works is THE PROPHET, a book of 26 poetic essays, which has been translated into over 20 languages. The Prophet, who has lived in a foreign city 12 years, is about to board a ship that will take him home. He is stopped by a group of people, whom he teaches the mysteries of life.
Genre: Classics > Poetry
The Broken Wings
This is the exquisitely tender story of love that beats desperately against the taboos of Oriental tradition. With great sensitivity, Gibran describes his passion as a youth for Selma Karamy, the girl of Beirut who first unfolded to him the secrets of love. But it is a love that is doomed by a social convention which forces Selma into marriage with another man. Portraying the happiness and infinite sorrow of his relationship with Selma, Gibran at the same time probes the spiritual meaning of human existence with profound compassion.
The Earth Gods
"The Earth Gods, the last book to be published while Gibran was still in this world, came into the poet's hands two weeks before he was to lay aside all earthly volumes. . . . He had a peculiar feeling of tenderness for this book, unlike what he felt for any of the others. 'Because,' he said, 'it was written out of the poet's hell—a process of childbirth and child-bearing.' . . . "It is, in my opinion, one of the greatest poems in the language. The Earth Gods is, perhaps, a book for the mystic, a poet's book for poets, for the initiate and the dreamer of vast dreams. Yet I have known those who pride themselves on being highly practical and feet-on-the-ground, who disown any bent toward the mystical and the occult, to pronounce it a book of wonder and power. And as a child of seven to whom I read portions of the poem on request, says unvaryingly, 'Read it again!' This, perhaps, for the music and the almost unearthly beauty of rhythm."—Barbara Young, in This Man From Lebanon: A Study of Kahlil Gibran
The Forerunner
"My mate shall come riding on the waves. His thundering roar shall fill the earth with fear, and the flames of his nostrils shall set the sky afire. At the eclipse of the moon we shall be wedded, and at the eclipse of the sun I shall give birth to a Saint George, who shall slay me."
The Garden of the Prophet
The Garden of The Prophet, which Gibran intended as a companion to his masterpiece The Prophet, is a lyrical celebration of the mystical beauty of Nature.
Jesus the Son of Man
Here Jesus is portrayed through the words of 77 contemporaries who knew him - enemies and friends: Syrians, Romans, Jews, priests, and poets. This edition restores the original format with 2 paintings and 12 drawings.
Lazarus and His Beloved
A One Act Play
The Madman
You ask me how I became a madman. It happened thus: One day, long before many gods were born, I woke from a deep sleep and found all my masks were stolen, -the seven masks I have fashioned and worn in seven lives,-I ran mask less through the crowded streets shouting, "Thieves, thieves, the cursed thieves." Men and women laughed at me and some ran to their houses in fear of me. And when I reached the market place, a youth standing on a house-top cried, "He is a madman." I looked up to behold him; the sun kissed my own naked face for the first time. For the first time the sun kissed my own naked face and my soul was inflamed with love for the sun, and I wanted my masks no more.
The Prophet
The Prophet is a collection of poetic essays that are philosophical, spiritual, and, above all, inspirational. Gibran’s musings are divided into twenty-eight chapters covering such sprawling topics as love, marriage, children, giving, eating and drinking, work, joy and sorrow, housing, clothes, buying and selling, crime and punishment, laws, freedom, reason and passion, pain, self-knowledge, teaching, friendship, talking, time, good and evil, prayer, pleasure, beauty, religion, and death.
Each essay reveals deep insights into the impulses of the human heart and mind. The Chicago Post said of The Prophet: “Cadenced and vibrant with feeling, the words of Kahlil Gibran bring to one’s ears the majestic rhythm of Ecclesiastes . . . If there is a man or woman who can read this book without a quiet acceptance of a great man’s philosophy and a singing in the heart as of music born within, that man or woman is indeed dead to life and truth.”
With twelve full-page drawings by Gibran, this beautiful work makes an incredible gift for anyone seeking enlightenment and inspiration.
Sand and Foam
A book of aphorisms, poems, and parables by the author of "The Prophet" - a philosopher at his window commenting on the scene passing below.
Spirits Rebellious
Miserable is the man who loves a woman and takes her for a wife, pouring at her feet the sweat of his skin and the blood of his body and the life of his heart, and placing in her hands the fruit of his toil and the revenue of hi s diligence; for when he slowly wakes up, he finds that the heart, which he endeavoured to buy, is given freely and in sincerity to another man for the enjoyment of its hidden secrets and deepest love. Miserable is the woman who arises from the inattentiveness and restlessness of youth and finds herself in the home of a man showering her with his glittering gold and precious gifts and according her all the honours and grace of lavish entertainment but unable to satisfy her soul with the heavenly wine which God pours from the eyes of a man into the heart of a woman.
I knew Rashid Bey Namaan since I was a youngster; he was a Lebanese, born and reared in the City of Beyrouth. Being a member of an old and rich family which preserved the tradition and glory of his ancestry, Rashid was fond of citing incidents that dealt mainly with the nobility of his forefathers. In his routine life he followed their beliefs and customs which, at that time, prevailed in the Middle East.
Rashid Bey Namaan was generous and good-hearted, but like many of the Syrians, looked only at the superficial things instead of reality. He never hearkened to the dictates of his heart, but busied himself in obeying the voices of his environment. H e amused himself with shimmering objects that blinded his eyes and heart to life’s secrets; his soul was diverted away from an understanding of the law of nature, and to a temporary self-gratification. He was one of those men who hastened to confess their love or disgust to the people, then regretted their impulsiveness when it was too late for recall. And then shame and ridicule befell them, instead of pardon or sanction.
A Tear and a Smile
Contains 56 parables, stories, and poems in Gibran's wholly inimitable manner. Illustrated with 4 of his own paintings and drawings, it is the most important edition to the canon of this great writer.
The Wanderer
I met him at the crossroads, a man with but a cloak and a staff, and a veil of pain upon his face. And we greeted one another, and I said to him, “Come to my house and be my guest.” And he came. My wife and my children met us at the threshold, and he smiled at them, and they loved his coming. Then we all sat together at the board and we were happy with the man for there was a silence and a mystery in him. And after supper we gathered to the fire and I asked him about his wanderings. He told us many a tale that night and also the next day, but what I now record was born out of the bitterness of his days though he himself was kindly, and these tales are of the dust and patience of his road. And when he left us after three days we did not feel that a guest had departed but rather that one of us was still out in the garden and had not yet come in.
Download Instructions:
https://drop.download/4vxx3ikyg6p5
(Closed Filehost) https://hulkload.com/mycp0gxzzdrr