2 books by Elfriede Jelinek
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Overview: Elfriede Jelinek is an Austrian playwright and novelist, best known for her novel, The Piano Teacher.

She was awarded the Nobel Prize in Literature in 2004 for her "musical flow of voices and counter-voices in novels and plays that, with extraordinary linguistic zeal, reveal the absurdity of society's clichés and their subjugating power."
Genre: Fiction > General Fiction/Classics



Rein Gold Gitta Honegger (Translator)
2004 Nobel Prize in Literature laureate Elfriede Jelinek's Rein Gold reconstructs the events of Wagner's epic Ring cycle and extends them into the present day. Originally written as a libretto for the Berlin State Opera, Rein Gold is a 'buhnenessay', an essay for the stage, structured in the form of a dialogue between Wotan, father of the gods, and his favourite daughter, Brunnhilde, in the third act of The Valkyrie. The book opens with Brunnhilde diagnosing her father Wotan to be a victim of capitalism because he, too, has fallen into the trap of wanting to own a castle he cannot afford. In stream of consciousness monologues, Brunnhilde and Wotan touch on a number of events from the days of the Nibelungen Saga to the 2008 financial crisis caused by the US subprime mortgage crisis and the role of banks therein, and through Marx's ideas as developed in Das Kapital, written almost contemporaneously with Wagner's Ring cycle. While rooted in Wagner's libretto, this sophisticated mesh of interwoven ideas also covers recent and current events, such as the way world leaders act in times of financial crisis, or the murders committed by the German neo-Nazi NSU group. Jelinek offers fascinatingly rich context for current political debates, as well as some intriguing new ideas, while never straying far from her leitmotif, the birth of capitalism.

Her Not All Her
Her Not All Her is a play about, from, and to the great Swiss writer Robert Walser, by the great Austrian writer and Nobel Prize winner Elfriede Jelinek. It highlights what Jelinek calls ‘the fundamental fragmentation’ of Walser’s voice, revealing Walser as ‘one of those people who, when they said “I”, did not mean themselves’. Presented here in a prize-winning translation by Damion Searls, it shows Jelinek to be an impassioned virtuoso reader of classic European writers.

The cahier contains an essay by the Director of the Robert Walser Centre, Reto Sorg, and thirteen paintings by the British artist Thomas Newbolt.

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Her Not All Her
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Added: Her Not All Her