Mainstream fiction, from all-time classics to contemporary novels
Jun 18th, 2013, 2:40 pm
2 novels by Antoine Wilson
Requirements: ePUB, MOBI Reader, 3 MB
Overview:Antoine Wilson is the author of the novels Panorama City (2012) and The Interloper (2007). His work has appeared in The Paris Review, Best New American Voices, StoryQuarterly, and other periodicals. He is a graduate of the Iowa Writers' Workshop and recipient of the Carol Houck Smith Fellowship at the Wisconsin Institute for Creative Writing. He is a contributing editor of A Public Space. He lives in Los Angeles.
Genre:General Fiction

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The Interloper(2007)
In Wilson's pleasantly creepy debut novel, Owen Patterson, a Southern California software manual writer, believes that the "soil" of his marriage has been "poisoned" by the aftereffects of his brother-in-law's murder. The killer, Henry Joseph Raven, murdered CJ while Owen and Patty were on their honeymoon. Raven received a "twenty-odd-year" sentence, but Patty and her parents, a year later, are still in mourning. Owen, meanwhile, comes up with a convoluted plan for revenge: he creates alter ego Lily Hazelton, a lovelorn teacher's aide whose identity is a morass of tortured bits from Owen's past—chiefly his infatuation with now-dead cousin (and first love and sexual partner) Eileen—and writes to Raven in prison. Though the plan is never quite concrete, Owen aims to use Lily to seduce Raven through an exchange of letters, and then deny him the object of his desire, thus destroying Raven as CJ was destroyed. But as Owen gets more involved, it becomes apparent the scheme has more to do with Eileen than CJ. Though the plot takes some predictable turns as Owen's obsession darkens and the James Cain–style ending is telegraphed from the opening pages, the pathos, delusion and hope festering within Owen will carry readers through.

Panorama City (2012)
Oppen Porter, a self-described “slow absorber,” thinks he’s dying. He’s not, but from his hospital bed, he unspools into a cassette recorder a tale of self-determination, from village idiot to man of the world, for the benefit of his unborn son. Written in an astonishingly charming and wise voice, Panorama City traces forty days and nights navigating the fast food joints, storefront churches, and home-office psychologists of the San Fernando Valley. Ping-ponging between his watchful and sharp-tongued aunt and an outlaw philosopher with the face "of a newly hatched crocodile," Oppen finds himself constantly in the sights of people who believe that their way is the only way for him. Open-hearted, bicycle-riding, binocular-toting Oppen Porter is "an American original" (Stewart O'Nan) for whom finding one's own way is both a delightful art and a painstaking science. Disarmingly funny and surreptitiously moving, Panorama City makes us see the world, and our place in it, with new eyes.

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Jun 18th, 2013, 2:40 pm