MM romance (and I assume FF as well) are not perfect. But I'm going to outline a few of my pet peeves about poorly written novels that may or may not be good fiction, but could be much better with a little effort.
Biggest pet peeve - adding a bad book to a good series that doesn't fit just because it will sell. Example, Return to the Mountain P.D.Singer. This book has nothing to do with the original mountain series and reads like it's an early story that was just tweaked a little to have the word Mountain shoved into its title. Read the first four books, but stay away from this one.
Annoying - British authors (RJ) who write dialog for American characters that are full of Britspeak. Texans or Californians don't talk about a boy band as a group of young lads, don't refer to seatbelts as belts and never say at the weekend. Americans use an article with the word hospital because they consider it a building not an institution.
Universally annoying -- experienced bottoms that need as much warmup and foreplay as a virgin. It's bad enough when the sex they write is boring (1 finger, 2 finger 3 finger, f...), when it's not even believable it's painful to read. They should take an example from Marshall Thornton who in the second Boystown book has one character shove another up against the wall in and alley and do the deed. It's set in the 80's so it's PC enough and the scene is both hot and believable.
Frequently annoying -- the idea that they will offend people if they have total tops or total bottoms in a book. I personally find the idea that the top has to give it up to prove his love ridiculous, and experience indicates that there aren't that many total bottoms that can get outside their comfort zone all that easily either. Plenty of example of this so I'm not going to single out any one author.
Just sad -- when an author writes a scene set at a pride parade or a gay rodeo and you can tell they've never been. The research for these scenes seems to consist of an image search on google. Or possibly reading each others books. See any book set at either event.
Am I being too critical here? And if I'm not what authorial or editorial faux pas have I missed?
Biggest pet peeve - adding a bad book to a good series that doesn't fit just because it will sell. Example, Return to the Mountain P.D.Singer. This book has nothing to do with the original mountain series and reads like it's an early story that was just tweaked a little to have the word Mountain shoved into its title. Read the first four books, but stay away from this one.
Annoying - British authors (RJ) who write dialog for American characters that are full of Britspeak. Texans or Californians don't talk about a boy band as a group of young lads, don't refer to seatbelts as belts and never say at the weekend. Americans use an article with the word hospital because they consider it a building not an institution.
Universally annoying -- experienced bottoms that need as much warmup and foreplay as a virgin. It's bad enough when the sex they write is boring (1 finger, 2 finger 3 finger, f...), when it's not even believable it's painful to read. They should take an example from Marshall Thornton who in the second Boystown book has one character shove another up against the wall in and alley and do the deed. It's set in the 80's so it's PC enough and the scene is both hot and believable.
Frequently annoying -- the idea that they will offend people if they have total tops or total bottoms in a book. I personally find the idea that the top has to give it up to prove his love ridiculous, and experience indicates that there aren't that many total bottoms that can get outside their comfort zone all that easily either. Plenty of example of this so I'm not going to single out any one author.
Just sad -- when an author writes a scene set at a pride parade or a gay rodeo and you can tell they've never been. The research for these scenes seems to consist of an image search on google. Or possibly reading each others books. See any book set at either event.
Am I being too critical here? And if I'm not what authorial or editorial faux pas have I missed?